20/49
There is an uncut version of the film that runs 2 hours and 25 minutes with 5 additional scenes
Narrative
Art the Clown is ready to wreak havoc on the unsuspecting residents of Miles County as they peacefully fall asleep on Christmas Eve. Director Damien Leone has stated that several major studios have shown interest in financing this film based on the unexpected success of Terrifier 2 (2022), even without a completed script, but he turned them all down because he is certain they would never let him shoot the opening scene himself, which he describes as “very controversial”. Leone has commented that the only reason he can be so uncompromising in his depiction of horror and gore is because he finances his films independently, creates all of the special effects himself to keep costs low, and doesn’t have a major studio breathing down his neck to make the film more mainstream. Mia mentions that the 5th anniversary of the original massacre was approaching soon, but it happened on Halloween and this film set on Christmas 5 years later would mean the anniversary was just 2 months ago. Julia’s Brother: Julia, I thought I told you to stay out of my -[Art kills him with an axe].
Next up is Terrifier (2016)
A Work of Art Written by Drew Fulk, Joe Occhiuti, Paul Wiley, Spencer Charnas and Steve Sopchak Starring Ice Nine Kills and Shavo Odadjian. For lovers of gore, Damien Leone’s 2016 film, “Terrifier,” was a bloody time. A violent splatter-fest that tried to be nothing more than that, it followed Art the Clown on a killing spree on Halloween night. Its sequel, 2022’s “Terrifier 2,” was an improvement in almost every way: bigger, funnier and bloodier. Both films were met with critical acclaim (some critics, that is) and did well at the box office.
Can “Terrifier 3” live up to its predecessors?
Self-financed, Leone’s first two “Terrifier” films are creepy, macabre, grand guignol masterpieces. The third installment in the saga once again follows everyone’s favorite mute psychopath, Art the Clown. It’s Christmas time and, coupled with his newborn head (watch the second film for that to make sense) and resplendent in a Santa Claus suit, Art embarks on another killing spree. Meanwhile, Sienna Shaw, the heroine of “Terrifier 2,” is trying to move on with her life, after nearly losing her mind to the diabolical clown five years earlier. Art, however, has other plans for Sienna.
Leone doesn’t care
“Terrifier 3” is not an insightful film. It doesn’t have a message, explore any themes, or carry any satirical weight. He’s not trying to make “It Follows” or “Smile” or “Rosemary’s Baby.” He doesn’t want to make a horror film with depth and nuance. He wants to make a splatter spectacle, a celebration of blood, guts, and gore. He wants to outdo other horror filmmakers by upping the ante when it comes to carnage, throwing everything, including the kitchen sink and the plumber, at viewers in an effort to deliver thrills and chills.
It’s wilder, funnier, and darker than its predecessors
He succeeds. Armed with a bigger budget than ever before, Leone creates a brilliantly brutal festival of extremes that’s a worthy addition to the “Terrifier” franchise. Over-the-top and excessively bloody, if you expect Leone to operate within the confines of what’s traditionally called “good taste,” you’re in for a sore disappointment. He doesn’t just push boundaries, he smashes them down and destroys them, with an axe to the head and a screwdriver to the spleen. That said, scenes that do not contain violence are generally stilted, lacking power or momentum.
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